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While taking a trip down the very colorful memory lane of her dating history (which begins long before that infamous sex tape), the 34-year-old reality TV queen admitted that, since her teens, she's had a type. "When I was growing up, when I was in high school, I'd get magazines and see interracial couples and think, 'They are so cute,'" she explained before adding, "I've always been attracted to a certain kind of look." Kim's been romantically involved with many black men over the years, including her first husband, music producer Damon Thomas, whom she married in 2000 when she was just 19.(Hint: It doesn't include older men.)While taking a trip down the very colorful memory lane of her dating history (which begins long before that infamous sex tape), the 34-year-old reality TV queen admitted that, since her teens, she's had a type. "When I was growing up, when I was in high school, I'd get magazines and see interracial couples and think, ' They are so cute,'" she explained before adding, "I've always been attracted to a certain kind of look." One of her first boyfriends was Michael Jackson's nephew, T. She also dated Ray J, Nick Cannon, and NFL player Reggie Bush to name a few of the guys who fit her "type." Kim's been romantically involved with many black men over the years, including her first husband, music producer Damon Thomas, whom she married in 2000 when she was just 19.“I’m Natalie Wood,” she said in response, “and this is how I look when I go out.” For a time, she was a fixture on “Hollywood’s Worst Dressed Women” list.
She also plays a mom on the Monday night ABC Family drama, The Secret Life of the American Teenager. But I'm very happy with my husband—and I think Matthew is quite happy with his wife. We were supposed to be in a John Hughes picture called Oil and Vinegar. He wanted me to play the role of a character called Watts, which went to Mary Stuart Masterson, but I was ready to graduate from high school. There was a tribute to Hughes at the Academy Awards ceremony earlier this year. There was a nude teacher swimming, scenes that were there just to insert nudity, to make the movie a little more like Porky's. He called me a week before we were supposed to start. He had us go through them, piecing together a script that was like the one I originally agreed to do. What would John Hughes think of your series, The Secret Life of the American Teenager? Once he stopped doing the movies that we did together, we didn't stay in contact. All my representatives kept advising me to write the story for Time. All I could think was that my hair looked overly processed. Well, I don't think there's anyone who could have played that role better than she did. Gordon Willis, a very famous cameraman, was shooting it. Warren would take Robert Downey and me into a room and make us break down the entire script. He would even delete stage direction because that was how Stella Adler, his acting coach, trained him. After I lose all the money and Robert and I are walking in the casino garage, I'm eating Maalox. Of all your film directors, who is the one who understood you the most? Which director got the best performance out of you? Warren Beatty had an impact on me, too, especially in terms of his interest in politics. John Hughes likened him to a modern-day Eddie Haskell from the series Leave It to Beaver.
She is the author of a new book, Getting the Pretty Back, her guide to style, friendship, romance, and motherhood. 19, Ringwald will join her Breakfast Club co-stars Anthony Michael Hall, Judd Nelson, and Ally Sheedy in New York for a Film Society of Lincoln Center screening and retrospective of Hughes, to be moderated by writer-director Kevin Smith. The script needed some re-writes and John didn't want to meet and re-write. In the Times story you wrote about Hughes, you mentioned turning one of his pictures down. You and Matthew Broderick, Anthony Michael Hall, and Ally Sheedy paid your respects. Before I made movies with John, whenever people thought of teen movies, they thought of Animal House and Porky's. The thinking was: if we're going to make a teen movie, then it should be like Porky's because it was a hit. Do you think you really knew what it was like to be a teenager? One of your best films that seems as though it's been forgotten is the romantic comedy The Pick-Up Artist, co-starring Robert Downey, Jr., and set in Atlantic City. Warren believes that every time a character does something, it should be organic. Comedy can be cruel, and while political correctness is important in many instances, it would pretty much be the death of comedy if it were taken to the extreme. I loved Diane Keaton in all her Woody Allen movies.
): "John saw something in me that I didn't even see in myself. I love Matthew, and we definitely have charisma together. He had a heavy heart, and was very prone to personal injury. But the script is really different from the one I initially read." He said, "What do you mean? Speaking of that period of your life, you were on the cover of Time magazine in 1986, back when being on the cover of Time really meant something. The cover I was really excited about was Seventeen magazine. I just wanted to know what it felt like to live life day in and day out without concentrating on a movie career. But I'm not interested in the game and politics of Hollywood. I don't even know if Richard Gere was attached to the picture. It was a part meant for her, just like there were parts meant for me. She was hopeless in math and chemistry - all the subjects I was hopeless in, too. Irene was from Brighton Beach, and was married to her husband for a long time. She made the world seem like a big, interesting place, and I learned a lot from her. For instance, I remember him insisting that George W. What's your view about movie stars speaking out publicly on political issues? People wanted to call me an authority on a generation, but I didn't feel equipped to do that because I was still figuring out myself and my life. I've never in my entire life met anyone, Asian or otherwise, actually like the character of Long Duk Dong.
He had complete confidence in me as an actor, which was an extraordinary and heady sensation for anyone, let alone a 16-year-old girl."Today, at age 42, Ringwald is married and has three children. And he's one of the funniest people I think I've ever met. I declined because I felt like the script wasn't strong enough and was too derivative of the other films I'd already made with John. The coverage after his passing was certainly more than he would have expected. He was always more likely to think that somebody was slighting him. At first, Universal Studios wanted him to go a different direction. By the time we actually shot The Breakfast Club in 1984, he had re-written the script numerous times because the studio demanded it. " I told him, "Well, a lot has changed." So the next day, at rehearsal, John brought in a stack of scripts, all his different versions of The Breakfast Club. I was insecure in lots of ways, over-confident in others. Well, when John passed away, I was asked by Time magazine and The New York Times to write something about him. When you looked at the cover of Time with your face on it, whom did you see looking back at you? I wasn't married, I was in my twenties, and I thought: if I'm ever going to live in another country, now's the time to do it. Did you come back from France with a different view of Hollywood? Hollywood was never as important to me as it once had been. Reportedly, you turned down the role of Vivien, the prostitute whom Richard Gere falls for in the movie Pretty Woman. You seem to have too much moral authority to have played Vivien. Warren is the one who pretty much directed me What did you learn from Warren Beatty? We all sat down and wrote a version of an extra scene, and mine was selected. We've talked about it, but Warren only makes a project about every twenty years or so. But she was pretty amazing about the development of my mind. Irene was Jodie Foster's teacher before she was mine. Everyone should speak about political issues—as long as they're well informed. He was an outrageous, comedic character—regardless of ethnicity.
As far as publicity goes, Wood received coverage for more than her acting roles.